That headline is misleading — I never wrote the first two parts of what might be called “2022 at the Movies.” No, those parts were penned by you, dear reader; or should I say “viewer”? So many of you went piling off to movie theaters that this year’s box-office is already approaching the entire take
Ron Howard was the perfect choice to direct an agonizing true-life story that takes place mostly in the dark, underwater, inside a cave. Surely most readers recall the nightmarish 2018 incident in which 12 schoolboys and their soccer coach got trapped in a flooded cavern in Thailand. Cut off by water in an isolated chamber,
It’s incredible how much talent has emerged from TV’s long-running series “The Office.” Mindy Kaling is now a successful producer and screenwriter, as well as a best-selling author; John Krasinski has proven a legitimate tough-guy in front of the camera (“Jack Ryan,” “13 Hours”) and a skilled director behind it (both “Quiet Place” films); and
I would have enjoyed “Bullet Train” a whole lot more if it weren’t so outrageously violent. It’s like someone took a decent script and handed it to Tarantino—except that director David Leitch seems to want to out-Quentin Quentin. Which is too bad, because the plotting is unusually strong for what seemed like a standard actioner
Two weeks ago, I rhapsodized over “Mrs. Harris Goes to Paris,” the new release about a widowed British cleaning woman; then, in our last issue, I reviewed the online documentary, “What Is a Woman?” Noticing a trend, I decided this week to continue focusing on females — with a half-dozen films from my book on
Matt Walsh has a simple question — but he sure has trouble getting a straight answer. Walsh is the blogger whose hard-line conservatism has, over the years, garnered much hate and even some death threats. Having recently joined Ben Shapiro’s “Daily Wire” — which according to Wikipedia, is the second-most-popular publisher on Facebook — Walsh
