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An Island of Misery

My kitchen island is a glorious beast — a massive, 34 square foot, 1,200-pound slab of quartz-y wonderfulness that seats six comfortably and houses a wealth of wares within its spacious cabinetry and drawers. It is all I dreamt of and more as our kitchen was renovated for months on end — the mother of all home improvement projects. But because the gods apparently hate me, its surface has been defiled in the years that have passed since its conception. I’m fairly certain that the man who built it (Tim Rosati) and the man who installed it (Ed Gair) would weep if they knew the awful truth — that it has become a home for wayward schlock that my family refuses to take care of and it’s entirely possible that I will die of disappointment.

On my headstone it will read: HERE LIES A WOMAN WHO APPRECIATED THE INHERENT BEAUTY OF A KITCHEN ISLAND WHOSE SURFACE SPARKLES IN THE SUN — A SPACE COMPLETELY DEVOID OF THE TRAPPINGS OF LIFE — A TESTAMENT TO ALL THAT IS UNSULLIED AND GOOD. LET IT BE KNOWN THAT SHE DIED TRYING TO RESTORE SAID ISLAND TO ITS ORIGINAL GLORY, A NOBLE AND WORTHY CAUSE INDEED.

At any rate, I have wasted precious time imploring my family to stop using my beautiful island as a dumping ground and I’ve made myself crazy attempting to return their stuff to its rightful place in the universe — like the cussed garage, or a dresser drawer, or a closet for Pete’s sake. Almost instantaneously, the wretched piles return, only larger and more offensive to my sensibilities. To illustrate, this is a partial listing of the items I found there today:

Party favors, props and programs from various musicals, phone chargers, checkbooks, out-of-date ticket stubs, gift cards, a dog leash and treats, someone’s watch (that may or may not keep accurate time), a hodgepodge of jewelry, a handful of cough drops, a half-eaten Rice Krispie treat, thank you notes (yet to be written), six jumbo paper clips, someone’s library card, a prescription drug box, PILES UPON PILES of mail in a sorry state of disarray, newspapers, the trappings of school, an honor roll clipping, tiny wads of unclaimed money, sweaters and sweatshirts, a discarded purse, marching band paraphernalia, field trip permission slips, as many as five coats hanging on the backs of chairs and eight pairs of shoes lying in a huddled mass at the foot of said chairs, a winter scarf, Bubble wrap and Judy Bernly’s bobby pins.

By all accounts, what I’ve described is tragic and I can’t begin to express how disheartened it makes me. It isn’t as if we haven’t had discussions as a family about the problem. Loud discussions, as I recall. Each time I argue my case, the logic I offer fails to inspire the parties in question to take lasting action. More specifically, to not only remove stuff from the island, but to KEEP IT FROM FINDING ITS WAY BACK. It’s almost as if my husband and kids are marking territory. Like dogs. Although I suspect that dogs know better.

To make matters worse, it appears as though the scourge is spreading — much like the plague. That said, the disordered mass has moved beyond the boundaries of the aforementioned island and currently affects a sizeable portion of a countertop and much of our dining room table. Sadly, the former has become a staging area for jewelry repair, featuring an embarrassment of ridiculously small tools, and the latter now functions as a place to pile things that have no business being piled there. Naturally, my husband argues they are things he is “working on.” If the past is any indication, he’ll be “working on” that stuff till doomsday. Maybe longer.

In order to deal with such a demoralizing set of circumstances, I suppose I’ll just have to ignore the surface and know that deep within beats the heart of my beloved island. Or I could ask for the unthinkable — that it be cleaned for Mother’s Day.

A girl can dream, can’t she?

Planet Mom: It’s where I live, probably standing in my kitchen, lamenting the sorry state of my island. Visit me there at http://www.melindawentzel.com and http://www.facebook.com/NotesfromPlanetMom. Caricature by Simon Ellinas.

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